As it is not possible to analyze the texts properly without immediate contrast, I decided to provide the differences in line. I would like to mention the similarities that appeared to be rather valuable for analysis. Also, at the first sight, the stories look completely different and incomparable, however, looking deeper, it is possible to find common details. It is interesting to discuss the similarities of the texts to understand more deeply the idea that authors encoded for future generations. The stories are playing a special part in the history of American literature. The perfect complement, “Stealing Tomorrow” is a hidden gem that reinforces Ellison’s belief in humankind’s inner nobility and the necessity to buck totalitarian forces that hamper our steady evolution.As a beginning, it’s important to say that both stories “’Repent, Harlequin!’ Said the Ticktockman” by Harlan Ellison and "Burning Chrome" by William Gibson are real masterpieces, and each of them contains some special information encoded between the lines. Fans of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World will delight in this antiestablishment vision of a Big Brother society and the rebel determined to take it down. Winner of the Prometheus Hall of Fame Award, “‘Repent, Harlequin!’ Said the Ticktockman” has become one of the most reprinted short stories in the English language. Waxing poetic on humankind’s intellectual capabilities versus its emotional shortcomings, the author depicts an inner self that guides his words against the established bureaucracies, assuring us that the intent of his soul is to “come lumbering into town on a pink-and-yellow elephant, fast as Pegasus, and throw down on the established order.”
The bonus essay included in this volume, “Stealing Tomorrow, ” is a hard-to-find Harlan Ellison masterwork, an exploration of the rebellious nature of the writer’s soul.
But when his love, Pretty Alice, betrays Everett out of a desire to return to the punctuality to which she is programmed, he is forced to face the Ticktockman and his gauntlet of consequences. Marm flouts convention, masquerading as the anarchic Harlequin, disrupting the precise schedule with bullhorns and jellybeans in a world where being late is nothing short of a crime. “‘Repent, Harlequin!’ Said the Ticktockman” is set in a dystopian future society in which time is regulated by a heavy bureaucratic hand known as the Ticktockman. One of science fiction’s most antiestablishment authors rails against the accepted order while questioning blind obedience to the state in this unique pairing of short story and essay. Winner of the Hugo and Nebula Awards: A science fiction classic about an antiestablishment rebel set on overthrowing the totalitarian society of the future.
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